Meursault: The Modern Day Übermensch

Abstract

Albert Camus’ The Stranger presents Meursault as an emotionally detached and indifferent protagonist whose existential bewilderment challenges conventional morality. His rejection of societal norms and his confrontation with death mirror the philosophical struggle between nihilism and self-overcoming. Drawing on Nietzsche’s concept of the Übermensch, this paper examines how Meursault transcends his initial alienation and ultimately embraces life on his own terms. Using Murphy’s model of character analysis, the study explores Meursault’s transformation from a passive observer to a figure of self-affirmation. By analyzing his actions, thoughts, and interactions, this research highlights Meursault’s evolution into a modern-day Übermensch, demonstrating how he constructs meaning beyond traditional morality. The findings reveal that Meursault’s acceptance of absurdity is not a surrender but a form of empowerment, making him a contemporary embodiment of Nietzsche’s ideal.